Showing posts with label HDR. Show all posts
Showing posts with label HDR. Show all posts
7.05.2008

One more railing from Balboa Park (in HDR)

Posted by Edoray

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One more railing shot in Balboa Park. I took 5 photos for this one, all stabilized on a tripod, ranging from 4 stops under to 4 stops over. Brings out the rich color contrasts in the cement and the tonal changes in the bars.

7.03.2008

One more from Balboa Park - in HDR

Posted by Edoray

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7.02.2008

Balboa Park Railings in HDR

Posted by Edoray

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Decided to try some of the railings in HDR. Every new type of photo add a new challenge with HDR. Here the tone mapping was especially tricky. Easy to over saturate.

6.28.2008

Foral HDR

Posted by Edoray

20080627 - 018_6_7
I'll get it eventually ;) For those that don't understand HDR; it's basically a layering of 2 or more photos (usually an odd number), and then tonemapped to bring out the lightest and darkest components of the image. So, you start with a well exposed image, then take another a couple of stops under-exposed and one a couple of stops over-exposed. When they're merged together, you can map the tones to bring out the rich darks of the under-exposed image, and the high lites from the over-exposed image. Good results are hard to achieve, but like everything in photography, a lot of practice pays off eventually.

6.27.2008

The Pot Revisted in HDR

Posted by Edoray

20080622 - 020_18_19_02
This is the pot that I discovered nearly a year ago, neglected and unnoticed out behind a museum in Balboa Park. I took 5 images of this scene, all with a 2 f-stop difference, using a tripod to stead the images, and then tone-mapped them in Photomatrix Pro.20071212 060

This is the first photo I took of it, taken during the middle of winter, with the sun very low in the south (helping to create the background).

Columns in HDR

Posted by Edoray

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Took 3 images, one with the correct exposure, one 2 f-stops over and one 2 f-stops under, then tone-mapped them in Photomatrix Pro, bringing out the rich dark tones of the under-exposed image, and the highlights of the over-exposed one.